It's Been Such A Long Time, Don't You Think So, Baby?



The new single from The School, taken from upcoming album Loveless Unbeliever due out in May. We snagged ourselves an advance copy and can confirm we're loved up believers!

Buffalo Bill And The Indie'Uns

Midori Hirano/Gnu And The Shrew/Muarena Helena, Buffalo Bar, Windsor Terrace, Cardiff, Thursday April 2 2009, 8.30pm.

Your chaotic correspondent has been threatening to make a Loose night in Cardiff for some time, and finally got his act together to make this eclectic and engaging bill, albeit one artiste short with the disappointing absence of Lily Green with throat problems. When in Cardiff, use your Brains, so your ruddy-cheeked rogue sampled some of the brewery's ales in a few local taverns beforehand, the pick being the Reverend James as available in the best of the bars, The Cottage, on St. Mary's Street.

All this exhaustive research already had your stewedshrewd scribe in a jolly mood by the time he made it upstairs at the popular Buffalo Bar, further enhanced by seeing the lovely Liz Hunt from The School on the door, dispensing some Parma Violets and a free compilation CD as she ushered your timeous tinker into the venue to catch the opening moments of East London's Muarena Helena. They're a good introduction to the evening's entertainment, as they combine folk, classical and rock instrumentation but with enough added edge and strangeness to offer a frisson of curious menace to proceedings. Sample song title: Gangland Hand Gesture, so listen to your creaking consigliore when he says watch out for this lot.

Duo Gnu And The Shrew hail from Manchester, and come to Cardiff fresh from Marc Riley's seal of approval on his 6Music show. 'Look at the scary puppets!' points out Liz, as the pair not only deal with found sounds but also a fascinating, mottley collection of vintage/retro bric-a-brac including the afore-mentioned finger furniture. Singer Jennifer Kay has a rasping delivery which may prove an acquired taste, but for your intrigued interloper added to the sense of theatrical oddness that give their predominantly acoustic ditties a distinctive appeal. CD 'Time For Tea', on sale at the gig for a mere six quid, is definitely worth rummaging for, with 'Gasboard Fraud' and 'Bingo' standing out on first few listens.

Headliner Midori Harano is a petite Japanese solo musician whose made her home amidst the electronic scene in Berlin. She offers predominantly keyboard music which produces pretty, pastoral, hazy soundscapes but with enough beats and glitches to add some swooning movement to the ambient electronica. Midori had also arrived in Cardiff entirely free of entourage, which made me rather fancifully think of her like a William Gibson character, a tough cookie in vulnerable guise, trotting the globe with her particular brand of techno-alchemistry. The result was even more intoxicating than the Brains' beers.

In conclusion, a roaring success for Loose, with three apparently very different acts making some logical connections with each other, a friendly, civilised vibe permeating throughout and all the artists concerned proving approachable, even to your Brains-dead blogger's blether!

Next day, had another wander around Cardiff before heading home, getting an 'above-par' cappuccino in Starbucks, taking a walk up and down the impressively reconstructed Roman castle that is slap-bang in the city centre (the audioguide is voiced by the BBC's Huw Edwards) and sampling the Wheat Ale at the nearby Zero Degrees microbrewery that is located opposite from the Millenium Stadium. Don't think it'll be too long before your restless rascal will be gig-going in this neck of the woods again.

School's Clout

The School/Flicklisten/The Puncture Repair Kit, Swiss Concrete @ The Bullingdon Arms, Oxford, Thursday June 19 2008, 8.45pm.

The Bullingdon Arms is a short taxi ride away from Oxford's main rail station, a smallish pub with friendly, fetching bar staff and a big backroom area where the bands play. Ben and your long-distance lurker meet up with a couple of the SWSLer's charming co-workers, and get waylaid watching Germany beat Portugal in the Euro2008 Q-F so only catch the last few songs from The Puncture Repair Kit. Their boisterous, slightly ramshackle take on indie-pop reminds your comparison-crazed correspondent of The Strange Death Of Liberal England, but we hope the rest of the set was less impressive because a) we hate to have missed out on anything and b) we'd just lurve to be able to say The Puncture Repair Kit flat-tyred to deceive.

Flicklisten is a guy who comes from Ohio but has lived in Oxford for four years, a singer/guitarist occasionally accompanied by a young lady who plays a violin shaped like a pair of scissors (a cut above the usual instrument, natch). He has a good voice, knows how to get a meaningful, sombre strum from his guitar, and has a droll line in tinder-dry banter, but his songs, on first listen anyway, are more interesting than truly memorable.

This last charge is certainly something you could never level at our learned friends The School, who've happily mastered the knack of catchy tunes addressing bold sentiments, embellished with 60s girl-pop stylings yet undertowed by savvy indie knowingness. They seem to be a Rosie and at least one Ryan short of the line-up when we last saw them, but Liz is in good, giggly form, describing Oxford as very pretty once you've found it, a reference to the maybe-Multimap-induced mayhem of their journey into the city. Of tonight's set, the songs from last week's Single Of The Week 'Let It Slip' ep prominently feature, there's a mystery cover version that no one gets, and the small matter of a dedication to their 'longest-travelling fan - Ken!' for their closing number 'All I Wanna Do'.

Your marathon-man mitherer hides his blushes for just long enough to grab a few words with Liz at the end of the show, as the band pack away their equipment in readiness for a trip to Spain for a festival performance. She insists the recent departures were amicable and not the result of a Mark E Smith-like hire-em-fire-em ethos, and reveals a new band member is forthcoming who will cover both instruments. Talking of covered instruments, we don't have to get our twelve-inch ruler out as Liz very kindly autographs our copy of the 'Let It Slip' ep before we wave her off to Spain. But not before she reveals an addition to The School timetable: a debut album due early next year!

Slip Hip Hooray!

Dead Kenny's family always wanted him to go to Oxford, but little did they suspect his first venture into the city wouldn't be to university but to go back to The School. The Cardiff popsters are playing at The Bullingdon Arms in two days time, to celebrate the release of their 'Let It Slip' ep this week on Elefant Records, of which we plan to pick up an autographed copy or we'll be waving our twelve-inch ruler around in disgust.

We've heard enough already to make it Parallax View Single Of The Week, however, the kicking intro, doo-wop backing vocals and handclaps making for a slick sonic delight not unlike Camera Obscura as produced by Phil Spector during one of his more coherent moments. Enjoy the video while you await the live review.

Wanna Takes All

Regular readers will have twigged by now that Parallax View is mad fool for The School, so no alarms or surprises to see their debut release 'All I Wanna Do'/'Valentine' (out on Elefant Records from today) made Single Of The Week. Produced by Ian Catt (most readily associated with Saint Etienne) and described by one of their MySpace fans as sounding 'like Kirsty MacColl's ghost meets Camera Obscura' it's a sweet but vaguely sinister ditty of devotion that recalls 60s girlgroups, Caledonian Indie and a keyboard refrain that threatens to echo the Eastenders theme tune. In short, it's bloody marvellous.

Runner-up goes to It Hugs Back for their single 'Other Cars Go', released on Too Pure Records on light-blue 7". Not sure whether it's meant as a lyrical rejoinder to The Arcade Fire's 'No Cars Go' but can tell you that sonically it resembles a melodic slant on Neil Young-influenced slackers Dinosaur Jr and Swervedriver, a mesmerising post-rock road anthem which builds and swirls to a stunning climax. Worth exploring.

Brolly Good Show

Yes, we know, YouTube embeds in blogs are like *so* 2006, but we couldn't resist showing you the official promo for The School's debut single 'All I Wanna Do' (out in stores in April). Stay tuned 'til the twist ending!

Songs To Learn And Sing

The School/Somebody's Mind/The Screenbeats, Oakford Social Club, Reading, Saturday March 1 2008, 8.30pm.

Your carousing correspondent has visited Oakford Social Club before, but this is the first time, in the company of Raimundo, that we've seen bands here. It's an unusual set-up, in that rather than playing in upstairs or downstairs areas, the groups play on a bandstand centre-pub with general drinking/eating areas either side. With this being a free gig, the benefits to the bands are that they have the incentive of drawing in passing punters who've just popped in for a pint.

You couldn't blame Newbury's The Screenbeats for wanting to partake in some alcoholic sustenance themselves, given the technical glitches that bedevil and foreshorten their set. Vocalist Faye has a fashionably big, bold voice which drives forward songs of a definite 60s-leaning sound and we certainly heard enough to make us want to re-investigate them at a happier time. Tilehill's Somebody's Mind also owe something of a debt to the 60s, but their psychedelic rock takes us on a much wilder ride, albeit with a sound sense of melody intact. Raimundo definitely approves.

Without wishing to sound like Teacher's Pet, however, we're only really here for The School, who, despite being a guitarist down due to transport snafus, chalk up another brief but successful showcase for their spangly pop gems. In contrast to their Autumn Store show last November, Liz is centre-stage where she should be, but also the whole band seem to be operating with an extra sheen of polish and confidence despite the unplanned axeman absence.

Although their songs have an undeniable 60s girl-group feel it's not just nostalgia that's at the heart of The School's appeal. Tracks like Summer's Here and All I Wanna Do have the delicious soft, sweet texture but added zing and sharpness of the perfect lemon mousse, with the robust quality of the songcraft providing the biscuit base, the structure that holds everything together and prevents what otherwise could be a gooey mess in less expert hands. Like the Oliver we are, we cry for more, but for now we must settle for this tantalising aperatif before we receive our just desserts of record releases and a full tour in the spring and summer. But we do get a quick chat with Liz herself, and co-organiser Dawn, who are as glamorous, friendly, and downright lovely as you could wish for, before the Newcastle Browns finally kick in for your tipsy tipster and hometime beckons.

Also, thanks to Painterman DJs for spinning the discs between bands, and Sam Dinsmore for taking some great gig photos.

The Keys To 2008

22 days into the New Year, Parallax View presents 21 bands to unlock sonic delights in 2008.

We start in an appropriately biblical sense with an Adam. Adam Kesher that is, a French band whose gallic drone-pop deserves some cross-channel contemplation.

If Beestung Lips can translate half the energy and spite they mustered live at Supersonic last year into their recorded output they'll be one of the bands of the year, for sure.

Emerging from Crouch End, Highgate and Tufnell Park, young Londoners Bombay Bicycle Club are similar enough to what's going around to ride the charts high, but have a lead singer with distinctive enough vocals to make us care.

Bugners Eye is urban slang for flapless female genitalia but you wouldn't go round calling this ferocious Birmingham blues band pussies as their pulsating pubrock takes no prisoners.

Gorgeous Emmy The Great seems to have been around for ages now, but her guest backing turns on the raved-about Lightspeed Champion record may sufficiently raise her profile for deserved success when her debut album finally surfaces later this year.

We saw Johnny Foreigner support Los Campesinos! last March, and will do so again this February, because we liked what we saw and their mini-LP 'Arcs Across The City' has whetted our appetites for more of their stroppy, sarky take on US alt.rock.

Another band to leave their calling card late last year were Montreal's Land Of Talk whose 'Applause Cheer Boo Hiss' channelled the sounds of Howling Bells and Metric into something sleeker, sexier but equally demanding of attention.

Leila isn't exactly a new name, but since it's been eight years since her last record, news of an imminent release in 2008 is worth flagging up for your attention.

Gothenbourg's Liechtenstein are an all-girl pop group who hail The Modettes as a primary influence, what's not to like?

Brooklyn's MGMT administer surprisingly thoughtful electropop that's smart enough to make you want to dress to impress. Album 'Oracular Spectacular' is due out in the UK this week.

Californians The Mae Shi have been around for a few years but a new poppier sound sees them sounding like The Go! Team trying on The Polyphonic Spree's tunics for size and having a lot of demented fun in the process.

Make Model seem to have been overlooked by the pundits for this year's predictions, but the anthemic punch of last autumn's single 'The Was' suggested the Glaswegians have what it takes to construct a viable future.

Cardiff's The School bring a DIY aesthetic to some zinging pop choons for adorable results. Recently signed to Elefant Records this is a group you'll never want to forget.

StrangeTime won't be new names to Parallax View readers either, but the spiky threesome who were too sexy/scary for Walsall look destined to rattle cages further afield with a new ep out soon and Sky TV starting to pay attention.

The Ting Tings won a coveted Parallax View Single Of The Week last May with 'That's Not My Name' and things are continuing to ring loudly for the Salford songsmiths as they've gotten themselves a slot on next month's NME tour supporting The Cribs, Joe Lean and The Jing Jang Jong and Does It Offend You, Yeah?.

Back in the West Midlands The Voluntary Butler Scheme looks set to put Stourbridge back on the map serving up his eccentric but decidely dreamy folk-pop ditties.

Manchester's The Whip should have a cracking start to 2008 unless their fun brand of danceable electro-pop suffers as a result of the inevitable nu-rave backlash, of course...

Thomas Tantrum are another band who emerged last Autumn with spiky pop splendour and a Parallax View Single Of The Week (for 'Shake It! Shake It!') and our expectations for further brilliant output has yet to be tempered.

Imagine TV On The Radio if they decided to just sit back and relax in the sun for a while and you get somewhere near the sound of Brooklyn's Yeasayer whose 'All Hour Cymbals' came out the back end of last year and looks set to be one of this year's sleeper breakouts.

If 2007's taste for genre fusions continues in the New Year then Telford's You And What Army? look set to profit with their rap/trance/prog/metal shenanigans regularly causing a live stir.

Finally, it's back up to Glasgow for Zoey Van Goey whose offbeat take on West Coast pop could charm the scarves and knives off an Old Firm derby crowd.

That should keep you going for a while, but remember you can use the comments to register your outrage, point out the glaring omissions and broken links, and hawk your band or blog.

Parallax View Gigs Of The Year 2007

What makes a great gig? The tunes, the chutzpah, the charisma, the company, or the ambience? Or maybe a combination of all those factors? But in 2007, many promoters hit upon a cunning ingredient: just let 'em eat cake...

1. BEESTUNG LIPS! @Supersonic, Custard Factory, Birmingham (July)
2. Rilo Kiley @Carling Academy 2, Birmingham (August)
3. Interpol @Carling Academy, Birmingham (August)
4. Los Campesinos!/Sky Larkin/Johnny Foreigner/Kate Goes @Barfly, Birmingham (March)
5. Mika Miko/No Age @Sunflower Lounge, Birmingham (June)
6. StrangeTime/Cellardoor/Sub Rosa @Actress & Bishop, Birmingham (October)
7. The Cribs @Carling Academy, Birmingham (October)
8. Monarch! @Supersonic, Custard Factory, Birmingham (July)
9. Emily Haines @Glee Club, Birmingham (June)
10. I'm From Barcelona @Carling Academy 2, Birmingham (September)
11. The School @Island Bar, Birmingham (November)
12. Kings Of Leon @Birmingham NIA (December)
13. Maps @Summer Sundae, Leicester (August)
14. The Fiery Furnaces @Barfly, Birmingham (November)
15. The Whip @Summer Sundae, Leicester (August)

School Daze

The Loves/The School/Richard Burke, The Autumn Store @ Island Bar, Suffolk St., Birmingham, Saturday November 3 2007, 9pm.

Various sources advertise the start of tonight's show as 7, 8 or 9pm, so take middle for diddle and head straight to the venue for 8, only to find out have an hour to kill before the bands start. Your stymied scribe opts for a pint of Guinness downstairs and browses the kindly-supplied latest issue of Fused Magazine in one of the window seats to kill some time.

Curiosity finally gets the better of your inquisitive idiot as he heads upstairs about 8.40pm to see what's going on. This is a one-off venue for The Autumn Store nights, which are normally held at the nearby Sunflower Lounge, and it's perhaps best described as a smaller, airier version of Bar Academy with additional boutique trimmings of cake and balloons provided by the promoters giving it the feel of an inclusive private party.

Richard Burke gets things started with a solo acoustic set, although a little help from his friends is needed at various intervals. Richard needs some technical support here and there for the surprising number of glitches for an acoustic set, one of his mates steps in to supply between-song banter, while approximately half of the numbers are written by other people. What Richard does provide himself however is a charming singing voice and a distinctive guitar sound, so things still get off to a promising start.

Head Schoolma'am Liz also supplies keyboard and vox for The Loves, but tonight's jam in the sandwich provides substantial enough fare to be considered worthy of a main course in future. Wishing to sound pretentious your boastful blogger's been into The School since their early demos first appeared on MitherSpace, but it's reassuring to see them perform their pop nuggets in just as charming and beguiling manner as we'd anticipated.

How you react to them may depend on how you feel about the fact that what looks like a toy xylophone is the most prominent instrument stage-front. And yet no manner of self-effacing humour, twee stylings and humility can disguise the fact that Liz's songs are expertly crafted gems set to glisten for many Christmas Futures to come. You'd be mad fool to consider yourself too cool for The School who've recently signed to Elefant Records and look set to reveal their playground mysteries to the wider world come 2008.

The Loves are long enough in the tooth to have done Peel sessions in the past, and offer an artier, edgier indiepop sound with much more obvious rock attitude on display than the support acts. Sadly, however, your time-poor troublemaker has to miss a goodly portion of their set to dash for the last train home, so unfortunately it's a case of The Loves' labours lost upon me...